The Purdzilla Show

The frosty night wears away, and the dawn breaks, and the post-chaise comes rolling on through the early mist, like the ghost of a chaise departed. It has plenty of spectral company, in ghosts of trees and hedges, slowly vanishing and giving place to the reality of the day. Charles Dickens (in Bleak House )

Photo by Dewang Gupta on Unsplash The lattice windows were all thrown open, and we sat, just within the doorway, watching the storm. It was grand to see how the wind awoke, and bent the trees, and drove the rain before it like a cloud of smoke; and to hear the solemn thunder, and to see the lightning; and while thinking with awe of the tremendous powers by which our little lives are encompassed, to consider how beneficent they are, and how upon the smallest flower and leaf there was already a freshness poured from all this seeming rage, which seemed to make creation new again. Charles Dickens (in Bleak House )

The clear cold sunshine glances into the brittle woods, and approvingly beholds the sharp wind scattering the leaves and drying the moss. It glides over the park after the moving shadows of the clouds, and chases them, and never catches them, all day. It looks in at the windows, and touches the ancestral portraits with bars and patches of brightness, never contemplated by the painters. Charles Dickens (in Bleak House )

What connection can there have been between many people in the innumerable histories of this world, who, from opposite sides of great gulfs, have, nevertheless, been very curiously brought together! Charles Dickens (in Bleak House )

Photo by Patrick Hendry on Unsplash Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Charles Dickens (in Bleak House )

 

What matters to me is that Prince and Dickens tell me, every day, Not good enough. Not quick enough. Not enough. More, more, more. Think quicker, be more ambitious, be more imaginative. And whatever you do for a living, that's something you need to hear, every now and again. Nick Hornby (in Dickens and Prince - A Particular Kind of Genius )

The weather being hot, he had no cravat, and wore his shirt collar wide open; so that every time he spoke something was seen to twitch and jerk up in his throat, like the little hammers in a harpsichord when the notes are struck. Perhaps it was the Truth feebly endeavouring to leap to his lips. If so, it never reached them. Charles Dickens (in Martin Chuzzlewit )

Though the green landscape was blotted here and there with heaps of coal, it was green elsewhere, and there were trees to see, and there were larks singing (though it was Sunday), and there were pleasant scents in the air, and all was over-arched by a bright blue sky. In the distance one way, Coketown showed as a black mist; in another distance hills began to rise; in a third, there was a faint change in the light of the horizon where it shone upon the far-off sea. Under their feet, the grass was fresh; beautiful shadows of branches flickered upon it, and speckled it; hedgerows were luxuriant; everything was at peace. Engines at pits' mouths, and lean old horses that had worn the circle of their daily labour into the ground, were alike quiet; wheels had ceased for a short space to turn; and the great wheel of earth seemed to revolve without the shocks and noises of another time. Charles Dickens (in Hard Times )

'We live in a singular world, sir', said Mrs Sparsit. 'I have had the honour, by a coincidence of which I am proud, to have made a remark, similar in effect, though not so epigrammatically expressed.' Charles Dickens ( Hard Times - conversation between Mr Harthouse and Mrs Sparsit)

T he fairy palaces burst into illumination, before pale morning showed the monstrous serpents of smoke trailing themselves over Coketown. A clattering of clogs upon the pavement; a rapid ringing of bells; and all the melancholy mad elephants, polished and oiled up for the day's monotomy, were at there heavy exercise again. Charles Dickens ( Hard Times )

Thames Estuary by Turner There was the red sun, on the low level of the shore, in a purple haze, fast deepening into black; and there was the solitary flat marsh; and far away there were the rising grounds, between which and us there seemed to be no life, save here and there in the foreground a melancholy gull. Charles Dickens (in Great Expectations - as Pip et al aim to make their escape via the Thames estuary by Grain)

Photo by  Jordan McQueen  on  Unsplash The strong tide, so swift, so deep, and certain, was like a congenial friend, in the morning stillness. He walked by the stream, far from the houses, and in the light and warmth of the sun fell asleep on the bank. When he awoke and was afoot again, he lingered there yet a little longer, watching an eddy that turned and turned purposeless, until the stream absorbed it, and carried it on to the sea. 'Like me!' Charles Dickens (in  A Tale Of Two Cities )

Photo by  Rob Jackson  on  Unsplash Long ago, when he had been famous among his earliest competitors as a youth of great promise, he had followed his father to the grave. His mother had died, years before. These solemn words, which had been read at his father's grave, arose in his mind as he went down the dark streets, among the heavy shadows, with the moon and the clouds sailing on high above him. 'I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me, shall never die. ' Charles Dickens (in A Tale Of Two Cities )

Photo by  Anna Dziubinska  on  Unsplash

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way— in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. (Charles Dickens, A Tale Of Two Cities )

Photo by  Émile Perron  on  Unsplash

Photo by  Andrej Lišakov  on  Unsplash My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest...Some happy talent, and some fortunate opportunity, may form the two sides of the ladder on which some men mount, but the rounds of that ladder must be made of stuff to stand wear and tear; and there is no substitute for thorough-going, ardent, and sincere earnestness. Never to put one hand to anything, on which I could throw my whole self; and never to affect depreciation of my work, whatever it was; I find, now, to have been my golden rules. David Copperfield (in Charles Dickens' David Copperfield )

Annual income twenty pounds, annual expenditure nineteen six, result happiness. Annual income twenty pounds, annual expenditure twenty pound ought and six, result misery. Mr Wilkins Micawber (in David Copperfield )

Photo by  Marten Bjork  on  Unsplash